I was superexcited to see
The Decemberists Friday before last, but I almost didn’t get to enjoy it. While
the crowd waited between bands, the venue (presumably at The Decemberists’
behest) played an old-timey country album that reminded me of every
won’t-somebody-please-worry-about-poor-white-racists post I’ve scrolled past
since the election. I’m sure it was a perfectly respectable album, but it made
me feel so creepy and rotten and
is-indie-rock-unintentionally-white-supremacist (probably) that I almost left.
But then the band came on
and for a little while, the rotten feeling went way. I remembered how good (if
Bush-era bleak) the band is and settled into the very enjoyable task of looking
at Colin Meloy’s lovely face. We were only a few songs into their
tenth-anniversary rendition of The Crane
Wife (Which, okay, is not the most soothing album.) when I saw a scuffle
starting up a few people away, right in the middle of the crowded general
admission floor. A short, mean-faced blond guy with the demeanor of all the
social nightmares was yelling at a woman, calling her an asshole for asking him
not to dance into her.
I offered to switch
places with the woman and did my best to be big and silent and ignore the guy,
but he just transferred his yelling onto me.
“Thanks, FEMINIST,” he
hissed. “What are you, gonna wear your PUSSY HAT?”
While I was trying to keep my space on the floor next to
this jerk, the woman he’d originally been yelling at told me that The
Decemberists had been her band with her late husband, and she’d asked the man
to stop dancing into her so she could enjoy the experience. Seems pretty
fucking reasonable to me.
“Just so you know, I’m
gonna stand here.” Said the guy, and pushed his shoulder into mine.
“You can step away from
me,” I said, but he pushed back harder onto my shoulder.
“Okay, I’m going to get
security, I told him, and struggled my way out of the crowd. I told security
that there was a guy at the center of the crowd harassing women, and I never
saw whether it got taken care of or not. I felt guilty for leaving the woman in
there with him, but I didn’t have it in me to persevere back to my spot. I
stood on the margin of the crowd and tried to get back into the music, but it
was hard. There was another argument going on nearby, so it was hard to
un-jangle. I felt an emotion I’ve felt on and off since the election, the
feeling that all of us, the grieving woman, the shoving guy, the backup
singers, everybody, are adrift in this soup of fear, loss, and anger, with no
way out.
And then they played
their new song. Introduced as “This is kind of a state of the union…” the song
went:
“Everything,
Everything,
Everything,
Everything,
Everything is AWFUL…”
The
crowd went bonkers, and I went bonkers with joy. I felt my jangledness and
trauma move and shift out of my body as I jumped around, bobbed my head,
squealed, smiled, sang along, and clapped in true fangirl fashion. You could
feel the audience breathe a sigh of relief, let go of a little of the weight of
this moment in history.
In
that spirit, I have some things to say to the reason I ended up on the margin
of the crowd.
Dear Trumpish Guy in the Middle of the Decemberists
Crowd,
I guess you’re what they
mean when they say that misogynists and bigots are emboldened by the Trump
regime, though hate has always seemed pretty shameless to me. Either way, what I see
in you is the opposite of boldness. I see a deep, broken, desperate cowardice,
a poisonous avarice that makes you feel entitled to more space than you have
earned, a greedy urge to shore up your own lack of self-worth by colonizing
everyone and everything. It must be exhausting.
And you know what? Women
are not going to let our bodies be claimed. The pussy hat may have been put
away with the winter clothes, but this is our time, and you are a tarnished
shard of a gender structure that is already broken, that has already abandoned
you. We’re not yours. This isn’t your
world anymore. Give up and get on board or be washed away in the tide of your
own hateful limits.
Best,
Jane
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